GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,
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GRECO, El Mount Sinai oil painting


Mount Sinai
Oil and tempera on panel, 41 x 47,5 cm
Painting ID::  43780 		GRECO, El
Mount Sinai
Oil and tempera on panel, 41 x 47,5 cm
   
   
     
GRECO, El Christ Healing the Blind oil painting


Christ Healing the Blind
Oil on canvas, 119 x 146 cm
Painting ID::  43781 		GRECO, El
Christ Healing the Blind
Oil on canvas, 119 x 146 cm
   
   
     
GRECO, El The Martyrdom of St Maurice oil painting


The Martyrdom of St Maurice
1580-81 Oil on canvas, 448 x 301 cm
Painting ID::  43782 		GRECO, El
The Martyrdom of St Maurice
1580-81 Oil on canvas, 448 x 301 cm
   
   
     
GRECO, El A Lady in a Fur Wrap oil painting


A Lady in a Fur Wrap
Oil on canvas, 62 x 59 cm
Painting ID::  43783 		GRECO, El
A Lady in a Fur Wrap
Oil on canvas, 62 x 59 cm
   
   
     
GRECO, El Mary Magdalen in Penitence oil painting


Mary Magdalen in Penitence
1576-78 Oil on canvas, 157 x 121 cm
Painting ID::  43784 		GRECO, El
Mary Magdalen in Penitence
1576-78 Oil on canvas, 157 x 121 cm
   
   
     
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     GRECO, El
     Greek-born Spanish Mannerist Painter, 1541-1614 Greek painter, designer and engraver, active in Italy and Spain. One of the most original and interesting painters of 16th-century Europe, he transformed the Byzantine style of his early paintings into another, wholly Western manner. He was active in his native Crete, in Venice and Rome, and, during the second half of his life, in Toledo. He was renowned in his lifetime for his originality and extravagance and provides one of the most curious examples of the oscillations of taste in the evaluation of a painter,

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